Jean Reno as a valiant Jewish physician in La Rafle
I find it interesting that as a subject for fiction films the subject has become so codified that it is now indisuptably a genre of its own. All the elements that make a genre cohere -- iconography, visual style, narrative structure, central themes -- are present now, and you can mark out how a film fits in within the first few seconds of its running time. La Rafle, the new French film, eschews one visual element that unites most of its predecessors -- desaturated color -- but in most other respects it is of a piece with them.
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